Casa Orlandai
Animation for Casa Orlandai website
72.024 thousandth part of a year is an experimental animation project about trying to find new ways of working that accept the unexpected and the everyday constraints. The strategy adopted was to do a daily animation of 15 frames during a whole year.
Motion graphics for Dibuixa’m un xai, documentary series by Jordi Panyella and Santi Eizaguirre.
An animation film about characters and situations seen while having a coffee. Made in different New York locations. A look at the sketchbook of Marcel Pie Barba.
Videos for Banc Sabadell Award to Biomedicine Research. Excerpts of videos done for 5 different editions.
The first animation by Marcel Pié Barba. Two realities confronted inside the same country: tango and corralito. What will happen if we suddenly discovered that barcodes have little love messages?
Stop-motion animations for the dance show Flexelf by Àngels Margarit (Cia. Mudances). Co-realized with Dani Fornaguera.
As Mario Benedetti said: “A city is a book that you read with your feet.” New York is, in our mental landscape, a city of literature or a movie city, so many times portrayed by writers or filmmakers. Walking in this gigantic metropolis is like being in an unending and complex text, looking were to add a footnote.
Animation workshops for art and animation students at: National Film Institute (Jos, Nigeria), Arteleku (Donostia), Animac (Lleida), Escola d’Art de Manresa, Escola d’Art i Disseny de Tarragona, Sala d’Art Jove (Barcelona) i Drac Màgic (Barcelona).
Animation children workshop inspired by the work of Joan Amades.
Motion graphics for live projections and video-wall at Premi d’Honor de ls Lletres Catalanes Awards (2008-2013). In collaboration with the scenographer Jordi Queralt.
Motion graphics for live projections and video-wall at Premi d’Honor de ls Lletres Catalanes Awards (2008-2013). In collaboration with the scenographer Jordi Queralt.
Excerpts of an experimental film made using a home printer and found movies. The printing process is focused on the work with textures, reintroducing a physical and tactile experience into digital video. Accidents and unexpected results were welcome during the process.