The film Blade Runner (1982, Ridley Scott) imagines a technology capable of exploring a still image by increasing its resolution and almost modifying the point of view with which it has been made.

The series of images presented here are three-dimensional virtual objects, obtained from a tool that infers a depth map into still images. A frame has been extracted from each shot of the Blade Runner scene where the photograph is analyzed and turned into these three-dimensional objects.



Polaroid original a Blade Runner